Kilometre World Caravan Tour
Kilometre World Caravan Tour
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Mallorca

Maria Solivellas
Maria Solivellas
Cata Simó
Cata Simó
Alexandra & Maribel Bordoy Bennasar
Alexandra & Maribel Bordoy Bennasar
Hélène Busuttil & Michel Figuet
Hélène Busuttil & Michel Figuet
Anna Kholodova
Anna Kholodova
Maria Barceló
Maria Barceló
Ross Hutchinson
Ross Hutchison

pal Caravan: An Inspiring Journey with Kilometre

At Kilometre Paris, each piece seeks to tell a story of travel through Couture & Embroidery. With our ‘Caravans', we invite you to join us on our worldly travels and experience unique events in which fashion meets storytelling. 

Through our stops around the world, we shine lights on each of our 'muses': those exceptional individuals who inspire us with their passions and their individuality. These encounters offer the opportunity to immerse yourself in a universe where each garment, crafted with care & detail, represents a journey, an enriching experience which we hope to share. 

Under the direction of Alexandra Senes and with the eyes of talented photographers such as Sarah Forgie, Bennu Gerede & Julie Ansiau, we've documented these exchanges, offering an intimate & authentic way of celebrating at our creations. This third edition of Caravan takes place in Los Angeles, with 11 inspiring muses, each enriching our adventure. Join us on an unforgettable journey of fashion and creativity.

Cata Simó

We at Kilometre Paris would like to present our muse: Cata Simó.

She lives on the sea. Literally. Captain of Gordito, a 1904 Mallorcan llaut, Cata doesn’t just sail the coast, she carries its memory. The boat is old, made by hand, and she’ll tell you that’s the only kind that matters. “Everything handmade is crafted with the heart,” she says. “There won’t be another like it.”

She wasn’t always at sea. Another job, another life. But the ocean kept calling. So she left the rest behind. Now, her days are wind-washed, sunburnt, salt-lined, and shared with others. Yes, it’s a business. But also a calling: transmitting her love of the sea.

Give her 24 hours and she’ll chart you a circle around the island: wild southern cliffs, the impossible blues of Cala Blava and Cabo Blanco, a pause in La Ràpita. Then up the Tramuntana coast, through Formentor and Pollença. A slow tour, no rush, no clock, just the island from the water, like it’s meant to be seen.

Give her three months and she’s gone, sailing east across the Mediterranean: Greece, Turkey, secret coves. Or maybe she leaves the boat behind and backpacks through Vietnam, her kids by her side, learning to live light and open.

For Cata, freedom doesn’t shout. It sails. It floats. It’s the quiet joy of sharing something old and true with someone new.

Jaume Vilardell, Gabrielle Ripoll, Lluc & Lola

We at Kilometre Paris would like to present our muses: Jaume Vilardell & Gabrielle Ripoll.

They live and work together in Mallorca. He’s an illustrator, once an industrial designer. She manages projects, but don’t try to pin her down beyond that.

Together, they create a life that feels more handmade than planned. Jaume grew up in the pre-digital era, learning by hand, watercolors, graphite, real paper. That left a mark. He believes in the value of the gesture, the tool, the time spent.

His lines are quiet but certain, the mark of someone who knows slowness isn’t a luxury, it’s the only way to get it right. From a sunlit Palma studio, Jaume’s drawings have drifted far, landing at Dior, Louis Vuitton, Condé Nast, Sony, Bulgari. But they carry Mallorca with them wherever they go: the hush before dawn, the soft collision of light and sea, the warm hush of limestone walls.

He sees it happening here, too, young hands reaching back for old tools, old ways, coaxing them into something that feels like now. A brushstroke that is both a memory and a beginning. A line that holds its breath, then moves.

Gabrielle doesn’t care much for itineraries. Give her 24 hours with you in Mallorca and she’ll take your phone, blindfold you, and lead you to a hidden cove on the north coast. You’ll pick lemons from trees at the foot of the mountain, feed donkeys, drink lemonade, and eat pan moreno without checking the time once. That’s the plan, no plan.

Now give them two months and a blank check? They’ll set sail on a velvet boat, tracing the entire Mediterranean coast, Mallorca, Italy, Greece, Syria. Lola and Lluc, the kids, will trail behind in Zodiacs. A chef onboard, of course.

And between ports, Gabrielle will stop to learn how to make proper gelato in Rome, slip away to Japan for noodles, and keep going by train until she reaches Mongolia.They’re not tourists. They’re travelers. They collect skills, not souvenirs. They remind us that luxury isn’t always what you buy, but how you move, who you bring along, and how fully you show up

Etienne Jardel & Antoine Lacoste

We at Kilometre Paris would like to present our muse: Antoine Lacoste. He’s someone for whom the handmade isn’t a lifestyle, it’s a baseline. A default setting. Whether organizing events or baking bread, Antoine doesn’t hand things off to machines or chase efficiency. He stays close to the process, close to the raw material. He wants to feel it, flour, heat, dough, time.

He works in bread now, but in many ways, he always has. In every past life, from hospitality to planning, his approach has always been about tactility. Presence. Doing things properly, even if it takes longer. Today, it’s slow-fermented loaves, shaped early in the morning, by hand, in silence, with care. There’s nothing nostalgic about it. For Antoine, insisting on working with your hands is a form of staying grounded. Of refusing to let speed replace attention.

If you asked him how to spend 24 hours in Mallorca, he wouldn’t give you a list of attractions. He’d give you a route. A rhythm. He’d take you on a drive through the Serra de Tramuntana, starting from Andratx and weaving through Valldemossa, Deià, Sóller, places he knows by heart but never takes for granted. He’s done the drive a hundred times. It’s always different. The season shifts the light, the villages feel new, the sea smells different depending on the wind.

You’d stop somewhere along the way. Maybe Caladea, maybe not. You’d eat without rushing. You’d keep going. There’s no pressure to cover ground, just to enjoy the ride. For Antoine, it’s not about checking boxes, it’s about the gesture of sharing something real.

He doesn’t rush. He doesn’t perform. He does things simply, attentively, and with his hands. Because to him, what we make should still carry traces of who we are.

Maria Barceló

We at Kilometre Paris would like to present our muse: María Barceló.

Mallorca knows her face. That warm, confident smile you see on IB3 TV, co-hosting Benvinguts a Ca Nostra with Esteban Mercer, the island’s own flamboyant Stéphane Bern, sashaying through Mallorca’s grandest homes and quietest fincas, drawing viewers into rooms they’ve only dreamed of on drowsy Sunday afternoons.

Give her two months and a blank calendar, and she’ll split it in two: Kyoto and New York. She’s curious about both. The quiet discipline of Japanese gardens. The restless energy of Manhattan streets. María is comfortable in places that never sleep and places that never rush. It’s how she is, too.

But if you only have 24 hours with her? She’ll take you to Son Sant Andreu, her agroturismo carved out of a 16th-century estate. Ten rooms. A pool that glints quietly at dawn. Olive trees that watch you as you walk. It’s a place where you slow down because you want to, where there’s no need for a plan because the day itself is enough.

You might cook, or you might let the kitchen be. You might swim, or read, or sit in silence with a glass of wine as the fields turn gold. You won’t leave rushed. You’ll leave restored.

Ask María about craftsmanship, and she won’t talk trends, she’ll talk truth. For her, handmade is culture’s backbone. It’s the stories of hands that shape clay, weave baskets, carve wood. It’s not nostalgia; it’s continuity. It’s how an island remembers who it is.

María Barceló moves easily between screens and quiet rooms, between broadcast lights and the hush of sunrise over stone walls. She is as comfortable in a villa kitchen as she is under the bright lights of IB3, as curious about a local potter’s glaze as she is about a New York gallery’s new show. She is Mallorca’s familiar face, and a reminder that even in a world of noise, there is still room for spaces where tradition and the modern world sit, side by side, in calm conversation.

Alejandra & Maribel Bordoy Bennàsar

We at Kilometre Paris would like to present our muses: Alejandra and Maribel Bordoy Bennásar. Twin sisters. Mirror souls. The heartbeat behind ABA, a project born two decades ago in Mallorca, in honor of their grandmother, who lived beauty not as decoration, but as rhythm.

They’re not curators. They’re cultivators, of talent, of emotion, of that elusive space where Mediterranean craft and contemporary art converge. Their exhibitions don’t hang, they breathe. They don’t ask whether an artisan is an artist or vice versa. The answer is in the hand. In the gesture. In the transfer of emotion from mind to material.

If they could disappear for three months, they wouldn’t retreat, they’d root. Maribel would go to Morocco, build a home with local hands, grow something from the dust. A quiet courtyard. A view of the burning Atlas sunsets. Alejandra would sail, Mallorca to Turkey, stopping in ports like pauses in a sentence, gathering stories from the wind, learning through salt and silence.

And if you had just one day in their Mallorca?
Alejandra would wake you early, guide you down to Sa Foradada, picnic in hand, hike through olive groves, end the day atop Puig de Randa.
Maribel would lead you to Font Santa, where the thermal springs rise like old magic. You’d walk. You’d bathe. You’d listen. And something in you would shift. They are not just sisters.

They are keepers of a Mediterranean frequency,
translators of what the hand remembers long after the mind forgets.

Carolina Amigó

We at Kilometre Paris would like to present our muse: Carolina Amigó.

She doesn’t speak loudly, but she sees deeply. Introverted, observant, drawn to detail, not to collect it, but to process it. To understand it, quietly, and then translate it into form. Carolina paints, she photographs, she sculpts. Lately, she creates jewelry. Each piece a way of saying something she hasn’t spoken yet.

If you gave her three months and an open bar of time and resources, she wouldn’t settle. She’d move. First east, to Asia, for stones, for the jungle, for the unknown. She’d search for precious gems, untouched and uncut. She’d find artisans. Sit beside them. Watch. Learn. Then maybe to Paris. To find the ateliers she admires, the ones who still do high jewelry by hand, slowly, precisely, with thirty years of repetition behind every gesture.

She wouldn’t stop there. Costa Rica. Colombia. Esmeraldas. Places rich in nature, rich in feeling. It’s not the luxury she’s after. It’s the depth. The story behind the object. The life in the technique.

Ask her to show you Mallorca, and she won’t take you inland. She’ll take you out, on a sailboat, along the northern coast. The coves there don’t have names. The water is clear, the kind that heals. She’d stop in Sant Elm, take you to Cala Conills, order fish that was swimming that morning, caproig, lubina, dorada. No dressing up the plate. Just the product, fresh, exact, real.

Because for Carolina, that’s what matters. The real thing. The thing made with time, with skill, with hands. The thing that holds the soul of its maker. That’s where she feels it, connection. Expression. Truth.

Maite Arias

We at Kilometre Paris would like to present our muse: Maite Arias.

Originally from Bilbao, Maite came to the Balearics in the 1980s. What began as an investment quickly became a life. Thirty-five years later, she still calls Mallorca home.

Before that, there was fashion. Her career began alongside the legendary couturier Manuel Pertegaz. Later, she opened her own boutiques, Arias, named after her family, introducing designers like Christian Lacroix to the island at the peak of his baroque brilliance. Her stores were always about quality, not trend: bold color, mixed textures, unapologetic beauty.

She’s someone shaped by women, mentors, friends, icons. In Ibiza, she met Esmeralda López and Cristina Macalla, who welcomed her into a world where presidents, actors, and artists passed through like local legends. Cristina became a lifelong confidante. Their last evening together ended with laughter and a line that stuck: “Niña, ya las hemos montado.”

Give Maite a blank check and two months of freedom, and she wouldn’t reinvent her life, she likes it too much. She’d help two friends who never quite recovered from the 2008 crisis. She’d travel through France and Spain at her own rhythm, tasting, watching, taking it in. She doesn’t need more. She just wants more depth.

To her, craft is the ultimate luxury, not emeralds, not excess. But something well-made, by hand, with soul and tradition behind it. Something that lasts.

Spend a day with her and you’d start at Mallorca’s cathedral, Gaudí’s touch still alive inside, then drive to Deià for lunch at La Residencia. A late afternoon swim, golden light, and then dinner at Flanigan in Portals. Conservative cuisine, she says, but with impeccable product. The kind that endures.

Because Maite knows what endures. It’s not just good taste. It’s generosity, friendship, and the places we return to without needing to explain why.

María Solivellas

We at Kilometre Paris would like to present our muse: María Solivellas.

She doesn’t do speed‐tourism. She believes in staying, in lingering, in tasting twice and looking longer, that’s how she learns a place, how she lives.

María is chef and co‐owner of Ca Na Toneta, tucked in Caimari at the foot of the Serra de Tramuntana. But this isn’t just a restaurant; it’s a casa de comidas, a place built on restoration of appetite, memory, story. For 28 years, she and her sisters have been feeding more than dishes, they nourish culture, history, the island’s soul.

Her food doesn’t chase fads. It's rooted, local, seasonal, honest, growing from their garden and Mallorcan traditions.
No machines. No shortcuts. Just hands shaping earth and flavor.
Ca Na Toneta is a must for food lovers, a kind of culinary Septime of Mallorca. It earned a Michelin Green Star for sustainability, and a Bib Gourmand for value and quality . Food critics call it a "gastronomic icon" , and diners from TheFork and Yelp describe it as “the best food I have had in Mallorca”

In 2021, María spoke at Madrid Fusión, reflecting her role as a steward of place-based cuisine.

She's also a founder of Slow Food in the Balearics, fighting to revive local produce and forgotten ingredients, ramallet tomatoes, Tap de Cortí paprika, black carrots, Mallorcan black pig.

Spend a day with María, and yes, she’ll feed you beautifully. Then she’ll lead you into the hills, olive terraces, generations-old farmland, hidden paths that seem to breathe. If you’re quiet enough, she might take you to a secret cove where the island still whispers its secrets.

Give her three months of freedom, and she’d go to Paris, a city she admires for its layered rituals, daily theater, and the way it sustains creativity.

For María, craftsmanship isn’t decoration, it’s foundation. Gardeners, artisans, cooks: they are culture’s backbone, each creation carrying the weight of care, tradition, humanity.

She never chases fame; she radiates presence. In the hush of a terrace, or the harmony of a dish, she says everything with precision.

María Solivella doesn’t broadcast, she cultivates warmth.

Claudia Zivko
Claudia Zivko
Jaume Vilardell & Gabrielle Ripoll
Jaume Vilardell & Gabrielle Ripoll
Tomeu Arbona & Maria José
Tomeu Arbona & Maria José
Antoine Lacoste & Etienne Jardel
Etienne Jardel & Antoine Lacoste
Carolina Amigó
Carolina Amigó
Maite Arias
Maite Arias
Irina Alexandrovna
Irina Alexandrovna Iakovleva
Mar Aldeguer
Mar Aldeguer

Claudia Zivko

We at Kilometre Paris would like to present our muse: Claudia Zivko.

She’s not someone who needs much. Give her a flight, not a five-star itinerary, and she’ll go straight to El Cuyo, in Yucatán. No hesitation. That’s where her heart landed years ago. The place gives her something rare, beauty, energy, simplicity. No filters, no performance. Just a place that feels like truth.

Ask her what to do with 24 hours in Mallorca and she won’t give you a list. She’ll give you motion. She’ll put you in a car, roll down the windows, and just drive. No schedule, no end point. Maybe you’ll find a cliff, maybe a mountain road, maybe a tiny restaurant with local dishes or a table full of flavors from around the world. Doesn’t matter. It’s not the destination, it’s the feeling of the island she wants you to catch. The light. The mix of people. The Mallorquín spirit. The beauty you don’t plan for.

And yes, you’ll end up at her home. That’s where she brings people she cares about. And after 24 hours, you’ll be more than guests. She’ll cook. Pasta. Something simple and perfect. The kind of evening that resets something inside you.

Claudia believes in things made by hand. Things made with time, with care, with roots. She talks about carpenters, shoemakers, cooks, people who don’t mass produce but shape each object with their mood, their history, their hands. She believes the world is finally coming back to that. Back to work that carries emotion. Back to what lasts.

She’s been in Mallorca for the last twenty years. She has her real estate enterprise, but not the way others do. She also designs homes her way. Sells them her way. Lives life her way. She says she’s in the best time of her life. And you believe her. Because she says it without trying to convince you. Because she wakes up happy. Even the hard things, she’s learned how to look at differently. If you can’t change the situation, she says, you change your position. And then you move forward.

That’s Claudia. Solid, kind, alive. Someone who brings you in, feeds you well, and reminds you what it feels like to live without trying so hard.

Irina Alexandrovna Iakovleva

We at Kilometre Paris would like to present our muse: Irina Alexandrovna Iakovleva.

She lives in Palma. It was meant to be just a year, a brief pause to savor the light on stone, the curve of quiet streets, the low hum of cafés and bells. But the island didn’t let go. Her friends became family. The streets aligned with her rhythm. And one day, she realized: this was home. Not just where she lived, where she landed.

Irina is a psychologist, but that doesn’t quite cover it. She also facilitates “Leela,” a transformation game that walks the line between science and spirit. You roll dice. You move across a board. And somehow, you start to see yourself more clearly. In her words: “Psychology is a dialogue with the soul.” Leela just gives it a body.

Her work bridges continents and ways of knowing, Eastern philosophy and Western training, Vedic wisdom and academic depth. As her teacher once said: “In my house of professions live psychology and aesthetics. One cannot work without the other.” Irina believes that too. If it’s true, it will be beautiful. And if it’s beautiful, it must be true.

Ask her where she’d go next, and her answer is Bhutan. Not a dream, a destination. Then back to India, to Peru, places of strength, soul, and silence. And always, she circles back to Deià, a mountain village on Mallorca that stirs something ancient. It reminds her of Masca in Tenerife, where cliffs close in and time folds. There, you don’t just feel small, you feel placed, like part of something vast and unnameable.

But her favorite address? Still her own. Still Palma. Still this quiet, simple life, lived with intention and no extra ingredients.

Tomeu Arbona & Maria José

We at Kilometre Paris would like to present our muse: Tomeu Arbona.

He doesn’t bake. He revives. Tomeu Arbona is not just a pastry chef, he’s a gastronomic archaeologist.

At Fornet de la Soca, history rises like dough: slow, warm, authentic. No machines. No shortcuts. Just flour, hands, and memory. He digs into dusty monastery cookbooks, handwritten palace ledgers, recipes from grandmothers, fragments of a past Mallorcan kitchen, reborn. Take his coconut cake: a kilo of shredded coconut, 800 g sugar, ten eggs, no vanilla, no butter, just time and silence. The result? A dense, sweet fossil of tradition.

Since 2010, Tomeu, once a psychologist turned baker during the 2008 crisis, has built something deeper. Not a business, but a reclamation: of forgotten breads, cocas, empanadas, ensaimadas, canyalons, panades. He’s revived coca de trampó flatbreads topped with sobrassada. His ensaimadas, plain or filled, are tied to ancient Jewish roots and are considered Mallorcan icons.

Critics call Fornet de la Soca “the place” for both sweet and savoury Mallorcan classics. He’s been named “Baker of the Year” in the Ruta del Buen Pan and recognized at Madrid Fusión for championing Mallorcan gastronomy.

If you had 24 hours in Mallorca, Tomeu wouldn’t take you to beaches, he’d lead you to the island's still center: Pina, Sineu, Sant Joan. Dry‑stone orchards, empty paths, silence. Then María José would guide you up to Binierarix and the Valldemossa hermitage, where wild cliffs meet the sound of trickling water. And there, in your bag: warm, rustic empanadas, lamb and pea, or trampó, perfected by generations.

His menu boasts Mallorcan staples: coca de trampó, panades, sobrassada-stuffed brioche pigs, and ensaimadas linked to Jewish tradition. Made with local flour varieties (blat vestit, blat xeixa) and organic ingredients, olive oil instead of butter, no additives.

Tomeu doesn’t just bake. He excavates. He revives. He restores. Each bite reconnects to Mallorca’s soul.

He doesn’t only feed hunger, he feeds memory.

Mar Aldeguer

We at Kilometre Paris would like to present our muse: Mar Aldeguer.

She’s many things at once. A mother. A former journalist. The keeper of a 300-year-old glassmaking legacy. The founder of a jewelry brand that believes luxury begins where machines end.

Mar grew up in the glow of molten glass, sand, silica, and minerals turned by hand into something luminous. No factory line. Just heat, breath, and patience. In her family’s workshop, every piece is different. Because every hand moves differently.

She’s worked in glossy magazines, society, interiors, but words weren’t quite enough. So she created Kuluk, a jewelry line where stones are carved one by one, no two alike. Raw, natural, unpolished, like stories without edits. “This,” she says, “is in my DNA.”

Ask what she’d do with all the time and money in the world, and she won’t book the Maldives. She’ll go to Tanzania, drawn by the joy of people who “don’t need much and do things the way they’ve always been done.” She just got back from swimming with sea lions and sharks in the Galápagos, alone. Because sometimes the only way to feel more is to leave everything behind.

With 24 hours in Mallorca, she’s already warning you: it’s not enough. Still, she’ll squeeze in Palma’s Gothic quarter, Gordiola’s glass furnaces, the wild green of villages like Deià. You’ll eat over the sea at PatróMar, or at Flanigan, where tradition never updates itself and never needs to. If there’s time: a boat ride, wind tangled in your hair, sleep postponed until tomorrow.

Mar doesn’t chase trends. She revives what’s nearly been lost. She doesn’t talk about craft. She embodies it. For her, what’s made by hand isn’t a niche, it’s a necessity. Because in a world spinning fast, it’s the slow things that last.

Anna Kholodova

We at Kilometre Paris would like to present our muse: Anna Kholodova.

She says she only shares her favorite places with friends. So we’re honored.
Anna was born in Moscow, a child of the Soviet Union, shaped by its silences and its sudden openings. After Perestroika, the borders fell and the world rushed in. At 10, she boarded a flight to New York. From there: exchange programs, host families, Austria with her mother, languages, cultures, discovery.

At 23, she joined TSUM, the Moscow equivalent of Le Bon Marché, as a buyer for contemporary fashion. It was the beginning of a 15-year journey through fashion and travel.
A blur of cities, shows, seasons. Then came the burnout. The absence of time for herself, her family, her friends.

That’s when Spain called. A softer rhythm. Her daughter started school. Anna picked up ceramics. Together, they shaped objects, days, new rituals. She began to return to herself. “Mallorca helped me return to myself,” she says. “It inspires and fills me, with people, nature, and a love for the roots of a simple life”.

Ask her about Japan, and she’ll tell you she’s been waiting. Not just for the place, but for the right person to share it with, like she did with India, with Alexandra. Two weeks that felt like a whole life: the soul of a country, incredible people, shared silence, deep wonder. She believes that everything we admire in this world is made by hands. “God has no hands but ours”.

Dinner? Always with friends. Always with local musicians. In winter: the mountains. In summer: a secret beach. She prefers homemade meals, cozy evenings, stories shared over soup, rather than anything on a restaurant menu.

Anna Kholodova reminds us that travel isn’t a destination, it’s a decision. A way of moving, of living, of paying attention.
Of choosing, again and again, to be present.

Hélène Busuttil & Michel Figuet

We at Kilometre Paris would like to present our muses: Hélène Busuttil & Michel Figuet.

They don’t travel light , not in imagination, not in appetite. If you gave them two months and no limit, they’d fill it with Nile currents, Patagonian winds, motorbikes across Vietnam, and long days ending where everything slows down: the Greek island of Koufonisia. No cars. No rush. Just walking, sea, and silence.

Michel dreams in landscapes. He’d trace the Andes, drift into Bolivia, stare down the silence of Patagonia. But not on horseback. Never on horseback. Instead: a bike, the kind that’s still comfortable when you’re no longer twenty.

Hélène travels with flair. Her maps are full of textures. If you ask her for addresses, she’ll give you Obsolete , a boutique across Palma, Deià, and Valldemossa, where you’ll find ceramics, wood, woven pashminas, and stories folded into every bowl. It’s a “girl thing,” she says , but it's also how she sees the world.

Spend 24 hours with them in Mallorca, and first stop: Stagier, a tiny kitchen run by chefs who’ve trained in the temples of haute cuisine. Order everything, maybe twice. Then, if your shoes allow, a short walk to Brooklyn, a pocket-sized club with world-class sound. Small room, big night.

They’ll take you swimming too , if you’re lucky , to Es Caló des Moro or Llombards, though you’ll have to dodge the crowds and influencers posing in kaftans. That too, they say, is part of the theatre.

Ask Hélène about hands and she’ll tell you about Fatma’s Hand, the one that protects. But also: the hand that learns, the one that gives time. That connects. That makes. “A hand,” she says, “is the first thing I notice in someone.”

Michel is a photographer.
Hélène once ran a fashion shop in Paris.

Together, they are a pair who live by instinct and aesthetics, always in motion, always looking for something true.

Ross Hutchison

We at Kilometre Paris would like to present our muse: Ross Hutchison.

He arrived on a yacht. Stayed for the sea, stayed for the salt, stayed for something deeper. Originally from Houston, Ross moved to Seattle, New York City, but it was Mallorca that called him home. In 2012, he launched something no one else was quite doing: Private Chef Mallorca. Just him, his knives, his fire. Now, more than a decade later, it’s a team, a kitchen hub, a name that means something.

His food doesn’t come from machines. His bread is made by hand, from Mallorcan grain, with slow work and full breath.

“I cook with my hands,” he says. “That’s how you pass something on. That’s how you give love.”

You can make soup in a Thermomix. Risotto, even. But not presence. Not soul.

Give him 24 hours, and he won’t show you the postcard version of the island. He’ll take you to a barely marked trail, walking the cliffs between Banyalbufar and Port des Canonge. Rocky, wild, secret. At the end, a hidden cove. After the swim, Restaurante Ca’n Toni Moreno, where the John Dory arrives fried, with caramelized onions, kissed with brandy. A plate worth a pilgrimage.

Give him three months, and he’s gone.
Vietnam, Laos, Cambodia, Indonesia.
Not to rest. To eat. To learn.
To sit on a plastic stool and watch the magic: flame, smoke, rhythm, street-side.

Where every bite is fire, salt, acid, heat, history.
Where flavor isn’t plated, it’s lived.

Ross Hutchison doesn’t just serve meals.
He crafts moments, barefoot, fire-warmed, passed from hand to hand.